Mexican director Carlos Reygadas (Japón, Silent Light) had critics divided with his latest, Post Tenebras Lux (the title is a Latin phrase meaning “after darkness, light”). Met with boos following its premiere at Cannes last year (although it went on to win the Best Director prize), Post Tenebras Lux represents the director’s attempt to make a personal work. This week we sit down and discuss its many unforgettable and ominous images. After we take time to also discuss Terence Malick’s beautiful, compassionate, tragic and transcendent To The Wonder – also booed at Cannes. Joining us this week is Sound On Sight contributor Zachary Lewis – also of In Review Online.
Andy Quin – “Awakening”
Chapel – “Satan’s Rock n Roll
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