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The usual suspects (and a new face) joining the cast of Wes Anderson’s stop-motion film

The same faces are joining Wes Anderson again on his next project. A few days after it was announced that the next movie by Wes Anderson would be a stop-motion animated movie about dogs, The Nerdist spoke with Jeff Goldblum and revealed that the actor would be joining a few other Anderson regulars for the …

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Ensemble MVP: The Rebirth of Edward Norton

I’m not sure what exact moment in Birdman it occurred to me that we were in the midst of a great Edward Norton Renaissance. Maybe it was when the walls of self-professed artistic integrity that his character Mike Shiner wears came crashing down in the face of Sam (Emma Stone), revealing the tragedy and isolation …

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‘Birdman’ soars high with stellar performances and brazen cinematography

The cast and crew, fly high in Birdman or (The Unexpected Virtue of Ignorance), directed by visionary Alejandro González Iñárritu. Michael Keaton stars as Riggan Thomson, a washed-up actor who never bounced back from his peak stardom days as part of a 1990s superhero franchise, and who is desperate to gain back some spark for his faded career. Riggan attempts to jolt himself back into the limelight through the triple threat of writing, directing and starring in a Broadway adaptation of Raymond Carver’s What We Talk About When We Talk About Love.

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NYFF 2014: Grandeur Delusions – ‘Birdman’

His use of natural lighting, the gorgeous compositions he creates often on the fly, those long takes. This is what we talk about when we talk about Emmanuel Lubezki, the Mexican cinematographer responsible for such arresting imagery in the films of Terrence Malick (The New World, The Tree of Life, To the Wonder), Alfonso Cuarón (Children of Men, Y tu mamá también, Gravity), the Brothers Coen (Burn After Reading), and Alejandro González Iñárritu (“Anna”, a short in the anthology To Each His Own Cinema). He is the only cinematographer in recent memory, possibly next to Roger Deakins, that pushes the form to its limits and has name recognition for such. The naturalistic beauty of The Tree of Life was nothing compared to the – wait for it – physics-defying work in Gravity. And here he is again, using a simulated long take for Iñárritu’s Birdman. “But isn’t it just a gimmick?”, you might ask. Well, yes. And that’s probably the point.

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The Hype Cycle: Toronto, Telluride and Venice Oscar buzz (Part 1)

The Hype Cycle is News Editor Brian Welk’s roundup of industry news, reviews and predictions of everything Oscar, boiled down into weekly power rankings of the buzziest and most likely contenders in this year’s awards season. The Toronto International Film Festival’s People’s Choice Award has been one of the most reliable barometers for both Best …

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Telluride 2014: ‘Birdman’ is a mad, rambling masterpiece about egotism and salvation

Birdman is highly reminiscent of Noises Off, a play by Michael Frayn, about the insanity of actors as they weave in and out of doing scenes live in front of an audience on-stage. The unpredictable actor Mike Shiner (Edward Norton) throws Riggan Thomson’s life even more into chaos by his refusal to bend to his wishes. Emma Stone plays Sam, Riggan’s recovering addict daughter who has long been put on the back-burner by her dad. Stone and Norton’s challenging forces irritate but eventually bring Riggan face to face with some hard truths about himself.

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Potential Powerhouse – How to Fix ‘Pride and Glory’

The procedural crime thriller, tales of murder investigation and corruption, a hallmark of hard boiled fiction from the 1970’s onwards, has tailed off. This is particularly frustrating when such a film emerges that should really have been a shot in the arm but was instead a bullet in the head. Step forward the hugely promising and ultimately disappointing Pride and Glory, a true Jekyll and Hyde.

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‘The Grand Budapest Hotel’ is Wes Anderson’s most mature film yet

Wes Anderson’s films evoke an unusual feeling, entirely separate from any other filmmaker working today and impossible to imitate. That style is refined still further in Anderson’s newest, ‘The Grand Budapest Hotel’, which may well be his most mature film made to date.

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GFF 2014: ‘The Grand Budapest Hotel’ is perhaps Wes Anderson’s most ambitious film to date, and one of his best

More than perhaps any other director, the work of Ernst Lubitsch has been the most noticeable influence on Wes Anderson’s style. Though the great German-American writer-director, most prolific in the 1930s and 1940s, was never quite so aesthetically bold in the look of his sets, he too was preoccupied with meticulous staging for comedy within his chosen locales, be they the titular Shop Around the Corner or the Parisian hotel of Ninotchka; The Grand Budapest Hotel is set in a fictional European country, the Republic of Zubrowka, another Lubitsch trait from works like The Merry Widow and The Love Parade, though The Shop Around the Corner happens to be set in the city Anderson’s mountaintop lodging house takes its name from. He garnered the descriptor of ‘the Lubitsch touch’ thanks to the moving sincerity that always made itself evident within even his more broad comedic premises, and Anderson’s own best work is that in which a recognisable humanism always makes itself known and potent even within the stylised stiltedness through which most of his characters are written and performed.

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‘Kingdom of Heaven: The Director’s Cut’ epic filmmaking at its finest

Various directors take very differing stances when it comes to the ongoing threat of executive meddling. This, of course, is when the studio moneymen stop what you’re doing and tell you that what you’ve made will simply not cut it at the box office, that key demographics that their marketing department has been stringently working on (usually in the form of charts) will dislike your movie.

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Top 10 Hollywood Actors Still In Business

Much of our lurid film community is of the belief that America’s acting prowess died with its classic stars like Marlon Brando, James Stewart, Humphrey Bogart, Katharine Hepburn, Elizabeth Taylor, and Grace Kelly. However, I’m here to argue that America’s actors are stronger than ever and can match up toe to toe with the likes …

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Stone

————– Stone Directed by John Curran Written by Angus MacLachlan USA, 2010 An unusual hybrid of Hollywood casting and production values with a serious dose of left-field character choices, Stone, from director John Curran (We Don’t Live Here Anymore, The Painted Veil), comes as a bolt from the blue in a season full of dreadful …

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