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We Will Leave Someday: Jia Zhang-ke’s Westward, or Eastward Departure

The entwined subjects of time passing and landscapes changing have always been synonymous with the work of Chinese director Jia Zhang-ke; his latest feature, Mountains May Depart, expands these ideas to a point that exists beyond any previously established horizon. The film may well be Jia’s most ambitious to date, in this respect: it spans three decades …

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Limping, Lisping and Lobstering: Escaping Yorgos Lanthimos’ Hotel of Purity

Back when Greek auteur Yorgos Lanthimos first clambered barefaced upon the international stage with his daring Dogtooth, quite a few hastened to mention its striking resemblance to Arturo Ripstein’s similarly self-contained The Castle of Purity, made some 35 years earlier. In the wake of his first English-language effort The Lobster, one might even go further and compare all that Lanthimos has done thus far to Ripstein’s film: the …

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Camera Technology & TV Production

Whilst the development of technology continues at such a rapid pace, the brightest and most talented innovators amongst us persist in creating new and exciting technologies for us all to enjoy and benefit from. And it’s the media industry that often benefits so greatly from these new devices and modernisms. For television and movie productions, …

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Once Upon a Time for Kanye West: Spike Jonze and Kanye West’s “We Were Once a Fairytale”

Full disclosure: I’m not completely well acquainted with the work of Kanye West, save for half a dozen songs and his very public persona. His egoism almost seems to speak for itself, but there a moments where even I, as someone who rarely listens to rap, understand that there’s more to him than meets the …

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Halfway Mark: The Best Movies of 2014 (so far) Part 2

    15. Stranger by the Lake Directed by Alain Guiraudie Written by Alain Guiraudie France Though Stranger by the Lake premiered at last year’s Cannes Film Festival (and appeared on Sound On Sight’s best of 2013 list), it finally reached North American audiences in January of this year. Alain Guiraudie’s stunning noir-tinged thriller is …

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Halfway Mark: The Best Movies of 2014 (so far) Part 1

Picking the best movies that come out in any given year is no easy feat. For film fans, a quality feature can come out at any time, from any one, and discovering an enjoyable and well-crafted feature is truly a pleasure. As we reach the halfway point of the year, many excellent films have already …

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The Best Film Scores of 2013

With every awards season comes a flood of “best of” compilations and top ten lists, but film scores can be tricky in that department. After all, different composers are operating on different levels, each one working toward a separate goal in his or her respective picture. Brian Tyler aims for something propulsive and heroic in Iron …

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2013 in Film: A Year of Love (Part 3)

In American cinema, fate is often presented as a path leading to success – especially when it comes to love.  People meet, fall head-over-heels for one another, experience a setback or two, then live happily ever after.  In films outside of Hollywood, love stories are more realistic, and more in tune with subjective experiences of …

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2013 in Film: A Year of Love? (Part 1)

Part heart-wrenching, part strangely uplifting, 2013 was a unique year for intelligent and affecting films about love. From an unlikely Palme d’Or winner to one of the best reviewed sequels ever, this past year delivered a handful of films that stand out not only for their honest and well-rounded depictions of romantic love, but also …

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‘Her’ an excellent, assured vision of uncertain romance and futuristic technology

Her Written and directed by Spike Jonze USA, 2013 It is nearly impossible to describe the feeling that sets in almost instantly while watching Her, the newest directorial effort from the experimental Spike Jonze. Though the opening shots, like those which follow, are stitched together carefully, crisply, and beautifully, it’s not simply a blend of …

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Staff List: The 30 Best Films of 2013

As with any year, some people have begun arguing that 2013 was a bad year for film, because of the expected glut of effects-heavy blockbusters that litter the multiplexes each summer, or because there was a lack of auteur-driven storytelling for the majority of the year. Though it is indeed frustrating that studios hold their …

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