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Without Theatres: ‘Nothing But a Man’ is unapologetically political and deeply humanistic

It won’t take a historian to convince you how turbulent the political atmosphere was in the 1960s — simply look at the American cinema for proof. There had been an influx of films with the residue of McCarthyism (The Manchurian Candidate), spy thrillers with the looming threat of the Russians (From Russia with Love), and …

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