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Ten filmmakers whose skills would be well-suited to television

The migration of filmmakers from the big screen to the small one is not a new phenomenon, but another team was formally inducted this weekend, with the Wachowskis’ Netflix series Sense8 making its debut. The duo join the ranks of others such as Steven Soderbergh, and they are far from the last ones, as Steve …

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Deliver Us From Marketing – The Misuse of ‘True’ Stories in Cinema

The dishonest suggestion of truth behind an uninspired movie is an easy means to attract a bigger audience. It is a double-edged sword, however, when said audience discovers that the majority of what they have seen is inaccurate and, on occasion, almost slanderous.

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‘Inside Llewyn Davis’ Movie Review – a colorful, middle-tier period piece from the Coens

Poor Llewyn Davis is not at a good point in his life. In February of 1961, he is a struggling, bearded bohemian shivering through a frosty Greenwich Village, a folk musician seeking the next gig just to keep the wolf from the door. With few possessions other than the fraying clothes on his back and his trusty guitar, he relies on the charity of others to keep a temporary roof over his head, oscillating from staying with two wedded musical companions in the tight-knit folk scene, Jean (Carey Mulligan, deliciously spiteful) and Jim Berkey (Justin Timberlake, polished) and the middle-class Gorfiens , the wealthy, perky parents of Llewyn’s musical partner, revealed to have committed suicide a few months earlier. Davis is a man scorned, sneering at others and certain of his superior musical skills. He’s not the most likable sort, as his futile attempts to escape the confines of his self-imposed cage make for a colourfully arranged period crooner.

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NYFF 2013: ‘Inside Llewyn Davis’ a melodic cinematic pleasure that engages despite its acerbic anti-hero

The Coen Brothers return with Inside Llewyn Davis, a caustic yet affectionate glimpse into a struggling artist’s life during the folk music scene of the early ‘60s. Llewyn Davis (Oscar Isaac of Drive) is a temperamental musician in Greenwich Village whose poor decision-making and an inability to connect to others outside of selfish reasons have landed him with little more than the clothes on his back.

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Coens-scripted ‘Gambit’ is a black hole of enjoyment

Gambit Written by Joel Coen and Ethan Coen Directed by Michael Hoffman USA, 2012 This loose remake of a 1966 film of the same name – that starred Shirley MacLaine, Michael Caine and Herbert Lom – has had a curiously long journey to the screen for a comedy, spending fourteen years stranded in numerous stages …

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