Birdman, the new film from Alejandro González Iñárritu, has been one of our most anticiapted films of 2014. The movie, which opens limited on October 17, has recieved a series of great posters placeing the hero himself in watchful positions on landmarks from cities across North America.
We caught our first screening of Birdman over at Telluride last month. In her amazing review, Lane Scarberry writes, “ Birdman is director Alejandro González Iñárritu’s mad masterpiece about one man’s search for relevance and validation. It’s a striking and welcome return to form for Michael Keaton, who has long been absent from the spotlight, bar occasional supporting roles in the likes of The Other Guys and the RoboCop remake. The surprisingly meta world of Birdman is more along the lines of a Charlie Kaufman concoction than something Iñárritu would normally attempt. His crushingly sad takes on existence in Amores Perros, 21 Grams, Babel and Biutiful have inventive plot devices about intersecting lives, but Birdman is wholly about the grand hallucinatory ego of one man and the stories that happen to briefly touch him. Both Keaton and Iñárritu provide us with ample reasons to admire the off-the-wall, swirling existential crisis that is Birdman.”
Check out the poster below, and read Lane’s full review here.