Love or hate Enter the Void, there is no denying Gaspar Noe’s first person after death rollercoaster ride has some of the best opening sequences of the past ten years (perhaps, all time). Evoking crazed experimental work from the sixties (T.O.U.C.H.I.N.G, anyone?), Godard, advertisement and Noe’s assaultive style sequence designer Tom Kan brings this all together with his own sense of aesthetics. In this interview with Art of the Title, he breaks down his relationship with Noe and how he went about bringing his vision to the screen. Read the whole thing at Art of the Title.
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