Directed by Yet, Kim Ji-woon
2009, South Korea
Korea has produced some of the greatest entries in the serial killer sub-genre over the past ten years, with Memories of Murder and The Chaser being the two prime examples. Kim Ji-woon’s latest epic I Saw the Devil, starring award-winning actors Lee Byung-hun (The Good, The Bad, The Weird) and Choi Min-sik (Oldboy) in the lead roles, clearly sets a new benchmark with its exceptionally graphic violence. The film had to undergo extensive re-editing before its premiere in order to get a theatrical release in Korea. The result is still a shockingly violent, disturbing, dark, brutal and painful film, that pushes the concept of revenge to some extreme limits.
Korean genre master Kim Jee-woon (A Tale of Two Sisters) has once again proven the versatility of his talent, effortlessly switching genres to craft a uniquely terrifying experience. Part police procedural and part serial killer, Kim finds surprising and exciting new ways to tell his story. As a crafty thriller and as a brutal horror film, I Saw The Devil will surely become a staple of late night festival strands, but as an epic battle between good and evil, Devil is unfortunately mostly style over substance.
I Saw The Devil certainly has an interesting premise. In attempting to sidestep the conventional revenge story, Kim delivers a story of a once-good
Our hero becomes instantly infected by the malicious evil he’s trying to destroy, bringing new meaning to Nietzsche’s assertion that “when you gaze long into an abyss, the abyss also gazes into you.” As the film proceeds, its fundamental concerns about the nature of revenge becomes undermined by the nihilistic vigor of the excessive carnage, and thus the problem with setting the violence levels so high and refusing to let them drop means that any emotions other than anger and revenge are quickly abandoned. So as much as we try to sympathize with Dae-Hoon, and as much as we enjoy watching Kyung-Chul’s suffering, the characters are defined simply by their actions, preventing us from feeling terribly invested. Exploring the main characters’ psychological motivations to violence in any meaningful way is brushed aside in order to make way for the next depraved set-piece.
In between moments of chisel-hacking horror, there is some impressively dark humour and top-notch acting. But be warned: even by Asian extreme standards, Kim Ji-woon’s I Saw the Devil is exceptionally graphic. Rape, decapitation/dismemberment, and cannibalism are all shown with glee, and blood and gore populate the frames. Emotionally, this movie will reach deep into the pit of your stomach and stab your guts repeatedly before tearing them out.
At 144 minutes, I Saw The Devil could stand to trim ten to fifteen minutes to improve the pacing, but it is still quite an achievement -a movie full of visceral shocks and aesthetic pleasures: it has an explosive immediacy and a persistent afterlife. It is something you will never forget.