Ben Stiller

Clunky script limits ‘While We’re Young’ to feel-good fable

Though well-acted and capably directed, the heavy-handedness of Noah Baumbach’s While We’re Young makes it one of his lesser efforts. Baumbach tries to anticipate the impending clash between Gen X bitterness and Millennial entitlement, but the execution feels uncomfortably Braff-ish. You’ll probably leave the theater smiling, but we’ve come to expect something a little more substantial from an observant filmmaker like Baumbach.

Noah Baumbach explores the trouble of being 45 and 25 in ‘While We’re Young’

Noah Baumbach’s last few films have been about protagonists doing nothing, or at least trying to give the illusion of doing something. Ben Stiller’s Greenberg said as much, even while slowly building a doghouse for his brother. Greta Gerwig’s Frances Halloway was a professional dancer who didn’t dance to the point that it made her “undateable”. Baumbach’s latest film While We’re Young is about yet another form of stagnation: middle age. A married couple of forty-somethings encounter a married couple of twenty-somethings, and that illusion that they’re doing everything they’re meant to be doing at this age quickly fades away.

NYFF 2014: ‘While We’re Young’ – The Young and the Old and the Restless

At age 45, it feels like writer-director Noah Baumbach is getting soft. Best known for his caustic tragicomedies like Kicking and Screaming, The Squid and the Whale, Greenberg, and Margot at the Wedding, he took a turn in tone for his 2012 feature Frances Ha, which starred and was co-written by Greta Gerwig. So, though the warmth of that film might surprise someone familiar with his work, that it’s a collaboration with Gerwig explains at least part of that tone. While We’re Young, though, Baumbach’s newest film which premiered at TIFF this year and made a surprise appearance at the New York Film Festival, manages to carry that affection. It’s hard to top Frances Ha, but his newest is pleasant and impressive all the same.

TIFF 2014: Adam Driver dominates Noah Baumbach’s ‘While We’re Young’ and Saverio Costanzo’s ‘Hungry Hearts’

Once again, Noah Baumbach’s taken to contemporary twenty-something culture. With Frances Ha he painted an apt portrait of a meandering young woman struggling to identify herself in a sea of expectation and pressure. Now, the gloves are off, as Baumbach zeroes in on the terrible and vaguely infectious character traits of the Me Generation. Narcissism and pretention are the order of the day, and we’re not talking about flippantly calling your ‘frenemy’ a narcissist: actual, clinical narcissism.

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