Black Widow

‘Black Widow’ #1 is a high octane rush of adrenaline

Black Widow is off to a blisteringly great start that is simple but highly effective. More comics should take notes from the team of Samnee, Waid, Wilson and Caramagna to focus on utilizing each member of the creative team to make for a truly fun and exhilarating read that couldn’t possibly turn people away from picking up the next issue.

NYCC 2015: Interview with ‘WicDiv’ Colorist Matthew Wilson

At New York Comic Con, I had the opportunity to chat with prolific colorist Matthew Wilson about his colors and process on The Wicked + the Divine and Phonogram, his relationships with various artists as well as get a sneak peek of the upcoming Black Widow series he is working on with writer Mark Waid (Archie) and artist Chris Samnee (Daredevil). Wilson first came to prominence with his colors on Phonogram: Singles Club with frequent collaborators Kieron Gillen and Jamie McKelvie and has colored a variety of Marvel books, like Thor: The Mighty Avenger, Wolverine, and Secret Avengers. He recently finished a run on Daredevil with Waid and Samnee and is currently taking a break from the Eisner nominated WicDiv as guest artists draw and color this arc. Matthew Wilson is also the colorist on Phonogram: The Immaterial Girl and Paper Girls from Image Comics and Deadpool vs. Thanos from Marvel as well as the upcoming Mighty Thor and Black Widow from Marvel.

‘Avengers: Age of Ultron’ is a big, brash superhero spectacular

Avengers: Age of Ultron represents the zenith of Marvel Studios’ Phase 2, the culmination of all the films and television shows that represent the Marvel Cinematic Universe over the last two years. Like the first film, this superhero team up pulls out all the stops to astound, taking the audience on a thrill ride of almost unrelenting action.

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