Brian Reitzell

KCC: Reitzell combines old sounds and new in score for Hannibal, Ep. 3.13, “The Wrath of the Lamb”

KCC: Reitzell evolves the sound of the Dragon in Hannibal, Ep. 3.12, “The Number of the Beast is 666…”

KCC: Reitzell’s subtle score adds tension to Hannibal, Ep. 3.11, “…And the Beast From the Sea”

Hannibal, Ep. 3.11, “…And the Beast From the Sea”

KCC: Reitzell’s impressionistic score adds romance to “And the Woman Clothed in Sun”

KCC: Reitzell scales back score for Hannibal, Ep. 3.09, “And the Woman Clothed with the Sun…”

Hannibal, Ep. 3.08, “The Great Red Dragon”

KCC: Reitzell expands series’ sound in Hannibal, Ep. 3.08, “The Great Red Dragon”

KCC: Reitzell plays with instrumentation in Hannibal, Ep. 3.07, “Digestivo”

KCC: Reitzell’s shimmering score adds atmosphere to Hannibal, Ep. 3.06, “Dolce”

Hannibal, Ep. 3.06, “Dolce”

KCC: Reitzell embraces distortion, homage in standout score to Hannibal, Ep. 3.05, “Contorno”

Hannibal, Ep. 3.04, “Aperitivo”

KCC: Reitzell’s score explores character and reflection in Hannibal, Ep. 3.03, “Secondo”

Hannibal, Ep. 3.02, “Primavera”

KCC: Reitzell layers sound for a familiar, intense score in Hannibal, Ep. 3.02, “Primavera”

Hannibal, Ep. 3.01, “Antipasto”

KCC: Reitzell’s dreamy, jazzy score adds depth to Hannibal, Ep. 3.01, “Antipasto”

Hannibal, Ep. 2.13, “Mizumono” is one of the greatest television episodes of all time