Carey Mulligan

New on Video: ‘Inside Llewyn Davis’

Joel and Ethan Coen, supported by an extraordinarily complex performance from Oscar Isaac in the title role, craft a moving, thoughtful, and, in a peculiar way, stimulating film.

BFI 59th London Film Festival – Top Picks for 2015

Next month sees the return of one of the UK’s most prolific film festival, The London Film Festival (LFF). Taking place between 7 and 18 October, the festival will show over 230 films in more than 16 venues over the capital.

The Mythology and Symbolism of ‘Drive’

It is always a little special when a film that on the surface bears no signs of ulterior motive becomes the subject of mass deconstruction by a plethora of critics, casuals and the insane. Case in point would be Sound on Sight’s film of 2011, Drive.

NYFF 2013: ‘Inside Llewyn Davis’ a melodic cinematic pleasure that engages despite its acerbic anti-hero

The Coen Brothers return with Inside Llewyn Davis, a caustic yet affectionate glimpse into a struggling artist’s life during the folk music scene of the early ‘60s. Llewyn Davis (Oscar Isaac of Drive) is a temperamental musician in Greenwich Village whose poor decision-making and an inability to connect to others outside of selfish reasons have landed him with little more than the clothes on his back.

‘Only God Forgives’ a bizarre, excessively gory reunion for Refn and Gosling

Style oozes from every frame of Only God Forgives, tinged in red, like the blood that so frequently sprays across the screen and lands in artfully designed splatters. Writer-director Nicolas Winding Refn and star Ryan Gosling, reuniting after the cult success of 2011’s Drive, have collaborated on a truly baffling, bizarre, and gory crime drama that’s wall-to-wall striking, pretty images. Unlike Drive, however, Only God Forgives is hollow underneath all the model-like posturing and the flashes of excessive, gratuitous violence.

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