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NYFF ’15: “Carol” is about the look of love

It begins and ends with a look. In that look is hesitance, longing, desire, confusion, confidence, conviction, hope. Even love. On NPR’s Pop Culture Happy Hour, writer and critic Glenn Weldon described real chemistry between actors living in the look, elaborating on the attraction manifesting in the movement of the eyes.

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‘Transparent’ Season 1 is an audacious, fully-realized piece of television

I imagine my feelings after finishing Transparent’s incredible first season were much like many people’s feelings after Orange is the New Black premiered. It is wholly original and seems to exist as a result of the ways online streaming has opened up the medium of television to previously unrepresented characters. I was enamored both with the show’s characters and the way it approached issues of gender identity and sexuality. I needed to keep binge watching.

Transparent follows the Pfefferman clan, a tightly knit Jewish family living in Los Angeles, as their lives are changed by one member’s brave announcement. Maura (Jeffrey Tambor) comes out to her family as a woman, despite being their father and going by the name Mort for all of their lives. Pfefferman matriarch Shelly (Judith Light) confronts this new knowledge as well as her new husband’s mortality. Eldest daughter Sarah (Amy Landecker) reignites a flame with a college ex-girlfriend after realizing how unhappy she is with her husband. Middle child Josh (Jay Duplass) seems to be on the verge of a midlife crisis as more and more romances fail in spectacular fashions. Youngest daughter Ali (Gaby Hoffman) is adrift in both her professional and personal life.

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