Throughout Constantine’s first season, Chas Chandler (Charles Halford) has been an enigmatic and sadly underused figure. He plays the voice of reason and comfort to the amoral, twice or thrice damned Constantine (Matt Ryan) and has saved him many times with his special, unexplained powers. Using some carefully selected flashbacks joined to the main narrative with the recurring image of a flame, “Quid Pro Quo” reveals why Chas seemingly can’t die, why he is friends with a man who makes him pick up his bar tab 10 out of 10 times, and explores Chas’ strained relationship with his ex-wife Renee (Amanda Clayton) and daughter Geraldine. Writer Brian Anthony also introduces legendary DC Comics villain Felix Faust (played by a chilling Mark Margolis) a “second fiddle” magician who acts as a nice foil to Chas in his showcase episode.
“The Saint of Last Resorts” breaks the mold of a lot of previous Constantine episodes, which partially set up the character of John Constantine (Matt Ryan) as some kind of cynical, occult superhero instead of the hell-bound bastard and con-man from the Hellblazer comics. Instead of having Constantine initiate the case of the week with Zed’s (Angelica Celaya) scrying, this time he gets a call from his magic tutor, old flame, and member of the Newcastle crew Anne-Marie (Claire van der Boom), who has seen a baby snatched by a supernatural force. Because this is personal, John leaves Zed on her own at the House of Mystery, giving her first solo plotline to show how she has grown as a character, along with revealing a new threat other than the vague Rising Darkness. Director T.J. Scott uses the convent, landscapes, and graveyards of Mexico City to give “The Saint of Last Resorts” a real sense of atmosphere and writer Carly Wray mines world mythology and the Hellblazer to craft a primal horror plot as well as cementing once and for all that Constantine is vulnerable, charming, and occasionally funny, but not a hero.
The character of John Constantine is rooted in music as much as he is in magic or being a con artist. Before he was master of the dark arts, he was the frontman for Liverpool punk outfit Mucous Membrane. (Which gets a much needed shout out in this episode.) Even before he was fully fledged and named character, he was a guy in the background of Swamp Thing #25, who artist Stephen Bissette wanted to look like Sting. But enough of the origin story stuff. “The Devil’s Vinyl” is the strongest episode of Constantine to date as David Goyer and Mark Verheiden construct a plot filled with the trickery, double crosses, soul bartering, and exorcisms that were the Hellblazer comic’s stock and trade, especially during Garth Ennis’ run. The threat level is also upped thorough developing the show’s mythology by including voodoo priest and crime kingpin Papa Midnite (played with presence and a spot-on accent by Michael James Shaw) and hinting at a character that will make Hellblazer fans shake in their boots. With this threat escalation, Goyer and Verheiden start to dig beneath the surface of John Constantine (Matt Ryan), Zed (Angelica Celaya), and Chas (Charles Halford) while giving them active and pivotal roles in the plot.