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Dark Horse Comics
White Suits #1 Has Gritty Style, But Not Much Substance
Marvel Reclaims the Star Wars license from Dark Horse
Star Wars #13 Narrows Its Focus on Darth Vader with Chilling Results
10 Best Comics of 2013: Part One
Terminator: Salvation The Final Battle #1 Sets the Franchise’s Endgame on the Right Path
Richard Corben and the Two Tales of The Raven
Geof Darrow’s Shaolin Cowboy #1 Builds the World One Tiny Detail at a Time.
In Wonderland, Willow Branches Out into Her Own Miniseries
The True Lives of the Fabulous Killjoys is a Marvel of Creative Harmony
‘Hellboy Library Edition Volume 6’ Pays Fitting Tribute to an Icon
The Strain Vol. 2 is a Treat for Comic Fans and Creators
The End Draws Near in Angel & Faith #22
King Conan: The Hour of the Dragon #1 is An Almost Perfect Mix of the Subtle and Bombastic
Akaneiro #1 is Another Disaster from American McGee
Ningen’s Nightmares Offers Plenty of Action, But Not Much Novelty
House of Gold #1 Is Pretty, but Predictable
X Returns in an Issue #0: The Pigs
Last of Us #1 shows depth worth getting excited about
Dragon Age: Until We Sleep is Heavy on Flashbacks, but Strong on Characters and Art
Review of Buffy Season Nine Volume One “Freefall”
R.I.P.D. partners gun blasts with bursts of cliché
Buffy Season Eight Vol. 4: Too Much Exposition Weakens the Series’ Conclusion
Buddy Cops is More Collision Course than Bad Boys
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