David Lynch

New on Video: ‘My Winnipeg’

Twin Peaks, Ep. 2.02, “Coma”: The mystification of Laura Palmer

Twin Peaks, Ep. 2.01, “May The Giant Be With You”: The pressure of a phenomenon

Twin Peaks, Ep. 1.07, “Realization Time” hypnotically ties narratives and cherry stems together

Twin Peaks, Ep. 1.05, “The One-Armed Man” ties man and beast to the investigation

Twin Peaks, Ep. 1.04, “Rest In Pain” buries Laura Palmer and unearths cryptic facts

Twin Peaks, Ep. 1.03, “Zen, Or The Skill To Catch A Killer” expands the mystery with dances and dreams

Twin Peaks, Ep. 1.02: “Traces To Nowhere” establishes oddly effective beats of investigation

A Girl, her Girls, and Creativity, Gone Wild in ‘Inland Empire’

‘Eraserhead’: Consumed by the best of both worlds

‘The Tenant’ is a psychological puzzle

Twin Peaks, Ep. 1.01: “Northwest Passage” is brilliant world-building, wrapped in plastic

‘Twin Peaks’ set to return in 2016

The Definitive ‘What the F**k?’ Movies: 10-1

The Definitive ‘What the F**k?’ Movies: 20-11

The Definitive ‘What the F**k?’ Movies: 30-21

David Lynch adds a Double Shot Express to his Ice Bucket Challenge while Playing ‘Over The Rainbow’ on his Trumpet

‘The Elephant Man’ and the Sensual Experience of Form

The Definitive Kubrickian Films: 10-1

‘Harry Dean Stanton: Partly Fiction’ – The quiet man in a quiet portrait

‘Bad Milo’ Movie Review – laboured and ridiculous, but not altogether unfunny.

Director and Actress Duos: The Best, Overlooked, and Underrated

EIFF 2013: Harry Dean Stanton profiled in the terrific ‘Partly Fiction’