Anyone growing into pop culture consciousness during the mid-2000s will be familiar with a certain type of Tom Cruise, one labeled with some criticism in a recent Buzzfeed article as “Tom Cruise 2.0.” To them, Tom Cruise may have first become familiar as Ethan Hunt in the first Mission: Impossible movie, as an action star who, in spite of fearful insurance agents and publicists, prefers to do his own stunts—especially if they include declaring maniacal love for Katie Holmes atop Oprah Winfrey’s couch. He was probably their first introduction to the alien world of Scientology, or perhaps already known as the face of another hero thrust into the supernatural, having once served as the model for the titular character in Disney’s Aladdin.
Edge of Tomorrow
There exists a myriad of reasons why it often feels so terribly easy to aim criticisms at these so-called motion picture events. Some of them are related to the perceived quality, others have to do what certain cinephiles with attuned tastes expect from their movie going experiences as patrons. Movies for which so much money and effort are necessitated in order to produce demand, for perfectly legitimate reasons, important dividends in the form of paid tickets at the theatre and subsequently profits via home viewing platforms.