The Merc with the Mouth is infamous for two (often overlapping) categories of crazed conversation: 1) comedic quips similar to Spider-man’s, sans a profanity filter, perhaps slightly more emphatic on non-sequiturs and random ramblings, and 2) fourth wall shattering soliloquies to the reader. For many, the concept of a character cognizant of being in a …
On the surface, the title of Final Crisis feels like a misnomer. How can there even be a “final” crisis? There will always be a DC Universe, there will always be earth-shattering dangers, and there will always be heroes to ensure the end is never really the end. But the strength of Final Crisis lies in that it recognizes this, and uses this fact as the crux of the entire event: the promotional tagline was, after all, “Heroes die. Legends live forever.” The characters and stories of the DC Universe are timeless, never-ending, and very much alive in the way that language can be said to be alive. It’s from this angle that writer Grant Morrison attempts to comment on and interact with DC’s complex and often unwieldy history. While Final Crisis is not the final challenge these characters will ever face (because nothing ever will be until the day DC stops publishing — and at this point that’ll likely be the same day CNN puts it “Nearer, My God, to Thee” video to use), one walks away from it feeling like they’ve just experienced the ultimate in everything the DC Universe was, is, and will be.
STORY BY Grant Morrison ART & COVER BY Ivan Reis, Joe Prado COLORS BY Nei Ruffino PUBLISHER DC Comics This one is a lot to take in. Literally years in the making, Grant Morrison’s The Multiversity has finally landed and it is as every bit strange, surreal, fun, and ambitious as you’d expect from the …