Glasgow Film Festival

GFF 2015: Bent Hamer’s ‘1001 Grams’ is a light but endearing comedy

‘Still the Water’ Movie Review – is an exquisite, Zen-infused coming of age drama

Arab adventure ‘Theeb’ Movie Review – has Westerns in its blood

Lav Diaz’s ‘From What is Before’ Movie Review – is a haunting elegy to times past

‘A Pigeon Sat on a Branch Reflecting on Existence’ Movie Review – is droll but despairing

Batin Ghobadi’s ‘Mardan’ Movie Review – is an elusive, guilt-ridden debut

‘White God’ Movie Review – is an original genre film but lacks political bite

‘The Little Death’ Movie Review – fires too many blanks

‘Catch Me Daddy’ Movie Review – is a nightmarish British thriller

‘The Dance of Reality’ is Jodorowsky’s personal origin myth

GFF 2014: ‘The Notebook’ is an impassioned condemnation of the essence of war

GFF 2014: ‘The Tale of Iya’ is a film of serene and organic beauty

GFF 2014: ‘The Zero Theorem’ sees Terry Gilliam in his comfort zone, for worse rather than better

GFF 2014: ‘Ida’ explores 1960s Poland with elegance and genuine depth

GFF 2014: Michel Gondry’s ‘Mood Indigo’ is ambitious, unrestrained and utterly transportive

GFF 2014: ‘The Dance of Reality’ is Jodorowsky’s personal origin myth

GFF 2014: ‘The Strange Colour of Your Body’s Tears’ is giallo as pure aesthetic

GFF 2014: ‘The Grand Budapest Hotel’ is perhaps Wes Anderson’s most ambitious film to date, and one of his best

Joss Whedon’s adaptation of ‘Much Ado About Nothing’ is a lot of fun

Joss Whedon’s take on ‘Much Ado About Nothing’ Movie Review – is a lot of fun

Interview: Producer Paul Welsh discusses ‘Lore’, the film’s journey to the screen and director Cate Shortland

Neil Jordan’s ‘Byzantium’ Movie Review

‘The Sex of the Angels’ Movie Review – is shallow, witless and rather insufferable