James Ransone

‘Cymbeline’ is an admirable Shakespeare adaptation, but far too convoluted

Cymbeline is director Michael Almereyda’s second Shakespeare adaptation set in modern day, his last being 2000’s Hamlet, also starring Ethan Hawke. The Bard’s late work tragedy, previously set in the Royal Court of Olde England, receives a face-lift, updated to a war between the Roman police force and the Briton Motorcycle Club ran by Cymbeline (Ed Harris). The King trades in a crown for an Uzi and a leather jacket as a drug kingpin troubled by familial strife. His second wife (the serpentine Mila Jovovich) despises Cymbeline’s daughter, Imogen (Dakota Johnson, proving she has acting chops that viewers may not find in Fifty Shades of Grey), for not marrying her son, Cloten (Anton Yelchin). In secret, Imogen has pledged herself to Posthumus (Penn Badgley), much to Cymbeline’s displeasure.

Sundance 2015: ‘Tangerine’ is the type of film that Sundance was created for

Tangerine is the type of film that Sundance was created for: It is bold, it is something that Hollywood would never make, it is a film liberated from formal limitations and it gives definition to the thrown-around term “independent”. Sean Baker’s latest film revolves around Sin-Dee (Kiki Katina Rodriguez) and Alexandra (Mya Taylor), who embark on a crazed search to find Sin-Dee’s pimp Chester (James Ransone) on Christmas Eve in Los Angeles after Sin-Dee learns that Chester has been cheating on her.

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