Jean Luc Godard

New on Video: ‘Paris Belongs to Us’

Jean-Luc Godard’s Late Films: A Primer

New on Video: Rainer Werner Fassbinder’s ‘The Merchant of Four Seasons’

New on Video: ‘Every Man for Himself’

‘JLG/JLG: self-portrait in December’

50 Best Films of 2014

50 Best Films of 2014

New on Video: ‘The Conformist’

The look of Godard’s ‘First Name: Carmen’ offsets the cruelty displayed on screen

‘Nouvelle Vague’ is the history of cinema told as a biblical allegory

Adieu au langage and Film Socialisme: Godard’s Latest, Among His Greatest

NYFF 2014: Kyle’s 5 Favorite Films and Other Ephemera

NYFF 2014: Hello, “Goodbye” – Jean-Luc Godard’s ‘Goodbye to Language’

The Essentials: Readings and Viewings on Godard’s ‘Adieu au Langage’

NYFF ’14: Kyle’s 5 Most Anticipated Films

Waiting for Godard: The French New Wave and Music Videos

New on Video – ‘Hail Mary’

Director and Actress Duos: The Best, Overlooked, and Underrated

Is ‘Liberal’ Hollywood to Blame for America’s Gun Culture?

Catching Up with a Classic: ‘Breathless’ undeniably charming, even for Godardophobes

‘Masculin Feminin’ is a film on a precipice

‘Film Socialisme’ is vapid, shallow and pretentious

What If Famous Filmmakers Directed The Super Bowl Telecast