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  • Doctor Who, S08E04 promo pic, "Listen"
    in

    Doctor Who, Ep. 8.04, “Listen” a visceral, gripping bedtime story

    Steven Moffat loves childhood fears. He’s mined them for some of nuWho’s most effective villains: Something lurking in the dark (the Vashta Nerada), a threat waiting to pounce the moment you look away (the Weeping Angels), and now, the monster under your bed. These creatures tap into the intense, pervasive fears so many experience as children and like its predecessors, “Listen” is hugely successful drawing from this well. It also takes a common and, when explored, curious habit and exploits it for significant dramatic potential: why do people talk to themselves when no one’s around? Both ideas have been explored by Moffat to some extent already (“The Girl in the Fireplace”, the Silence), and so here he puts them together, hoping that between the two, there’s enough new material to make the story work. More

  • Doctor Who S08E03 promo pic, "Robot of Sherwood"
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    Doctor Who, Ep. 8.03, “Robot of Sherwood”: Lighthearted romp continues season’s character focus

    Series eight of Doctor Who has started off with a bang, establishing a new and improved dynamic between the (Twelfth) Doctor and Clara, slowing down the pace, and prizing character work over plot twists. That threatens to falter here, with the series returning to the Doctor Who as fairy tale theme that so heavily infused series five through seven, but fortunately the episode’s sense of humor keeps it on track. “Robot of Sherwood” is a lark, but it’s a self-aware one, with enough pathos peppered in to temper the treacle. More

  • Doctor Who S08E01 promo pic
    in

    Doctor Who, Ep. 8.01, “Deep Breath”: Two steps forward, one step back

    There’s a new Doctor on the TARDIS, one with the energy and gravitas to bring significant and much-needed change to the series, and on the whole, this episode is a promising start for the Twelfth Doctor. Unfortunately, as big a difference as the Doctor’s regeneration has on the show, in the end, he is only the lead—the buck stops with the showrunner, and if Moffat’s unwilling to step away from his favorite and at this point, very overused toys, it seems unlikely the series will get the fresh start it deserves. More

  • Doctor Who Christmas Special promo image
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    Doctor Who 2013 Christmas Special, “The Time of the Doctor” a disappointing, frustrating mess

    Doctor Who Christmas Special promo imageIn short, “The Time of the Doctor” features a plot that, while it is easy (on the Moffat scale) to follow, almost immediately fails the, “But why?” test. Why does the fleet understand what “Doctor who?” means? Because the plot needs them to. Why doesn’t the Doctor take the townspeople out of harm’s way with the TARDIS? Because. Why do the Doctor and Clara need to be naked, for that matter? Because. The answers we finally get to lingering questions aren’t satisfying, the promising new character of Tasha Lem is a pretty straightforward copy of River Song, and the gender politics are terrible (and in this reviewer’s opinion, destructive). The Doctor may have some fantastic scenes, including the final moments with Clara before his regeneration, but he treats her terribly and she doesn’t for a moment stand up for herself. After the wonderful “The Day of the Doctor”, this final story for the Eleventh Doctor is a significant disappointment, highlighting all of the most problematic elements of his tenure. More

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    Ghosts of Doctor Who Christmas Podcasts Past

    Season’s Greetings from all of us here at Sound on Sight. For your listening pleasure, as we wait for “The Time of the Doctor” later this week, we thought we’d ride some Yuletide coattails and rebroadcast all our past Doctor Who Christmas Special Podcasts. Happy Holidays, Y’all. Mind the hoof prints. “The Christmas Invasion” & […] More

  • Jenna Coleman as Doctor Who Companion Clara Oswin Oswald
    in

    Doctor Who Companion Profile: Clara Oswald

    Many versions of Clara have existed in the Doctor’s timeline. The first incarnation that we meet is Oswin Oswald (“The Asylum of the Daleks”), the Junior Entertainment Manager of a spaceship that crashed onto the Asylum of the Daleks who has been turned into a Dalek herself, but has created a fantasy/coping mechanism that she is hidden in her ship making souffles. Next is Clara Oswin Oswald (“The Snowmen”), a governess in nineteenth century London who moonlights as a barmaid. The final version we meet is Clara Oswald (“The Bells of Saint John” onward), the original and a babysitter in 21st century London. All three have had adventures with the Doctor, during which the first two both died. The Doctor brings Clara with him onto the TARDIS in the 21st century in the hopes of discovering more about who she is and how and why she keeps showing up in other times. More

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