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‘The Huntsman: Winter’s War’ is a rancid fairy tale
‘Crimson Peak’ is gorgeous, but vacant
‘The Martian’ thrills with human ingenuity instead of mindless action
Week in Review: Rick Baker announces his retirement
‘A Most Violent Year’ is a first-rate dissection of the American Dream
‘Interstellar’ is a bumpy, exhilarating ride
‘Interstellar’ is only haphazardly successful
The Hype Cycle: Pre New York Buzz
Xavier Dolan’s ‘The Death and Life of John F. Donovan’ casts Jessica Chastain
Through This Lens: Kathryn Bigelow’s ‘Zero Dark Thirty’
‘Zero Dark Thirty’ – the most boring manhunt in history
‘Between Two Ferns’ releases the second part of a special Oscar edition two-parter
BAFTAs 2013: Who is going to win? – part 2
Jessica Chastain’s presence aside, ‘Mama’ is unmemorable if slightly spooky
‘Zero Dark Thirty’ is impressive for its neutral depiction of one of history’s greatest manhunts
‘Zero Dark Thirty’ an excellent, exhaustive account of the bin Laden manhunt
‘Lawless’ is disappointingly unremarkable in nearly all respects
Being bad is very good in John Hillcoat’s ‘Lawless’
EIFF 2012: ‘Lawless’ is disappointingly unremarkable in nearly all respects
BAFTAs 2012 – Who’s going to win? Part 2
‘Coriolanus’ is a serviceable interpretation of Shakespeare’s play, but never excels as a whole
Ten Filmmakers Who Should Have Directed The Great Gatsby
‘The Debt’ offers middlebrow almost-thrills
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