jessica chastain

‘The Huntsman: Winter’s War’ is a rancid fairy tale

‘Crimson Peak’ is gorgeous, but vacant

‘The Martian’ thrills with human ingenuity instead of mindless action

Week in Review: Rick Baker announces his retirement

‘A Most Violent Year’ is a first-rate dissection of the American Dream

‘Interstellar’ is a bumpy, exhilarating ride

‘Interstellar’ is only haphazardly successful

The Hype Cycle: Pre New York Buzz

Xavier Dolan’s ‘The Death and Life of John F. Donovan’ casts Jessica Chastain

Through This Lens: Kathryn Bigelow’s ‘Zero Dark Thirty’

‘Zero Dark Thirty’ – the most boring manhunt in history

‘Between Two Ferns’ releases the second part of a special Oscar edition two-parter

BAFTAs 2013: Who is going to win? – part 2

Jessica Chastain’s presence aside, ‘Mama’ is unmemorable if slightly spooky

‘Zero Dark Thirty’ is impressive for its neutral depiction of one of history’s greatest manhunts

‘Zero Dark Thirty’ an excellent, exhaustive account of the bin Laden manhunt

‘Lawless’ is disappointingly unremarkable in nearly all respects

Being bad is very good in John Hillcoat’s ‘Lawless’

EIFF 2012: ‘Lawless’ is disappointingly unremarkable in nearly all respects

BAFTAs 2012 – Who’s going to win? Part 2

‘Coriolanus’ is a serviceable interpretation of Shakespeare’s play, but never excels as a whole

Ten Filmmakers Who Should Have Directed The Great Gatsby

‘The Debt’ offers middlebrow almost-thrills