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‘Love Is Strange’ is marred by plot imperfections but buoyed by first-rate performances

So intertwined are Ben (John Lithgow) and George’s (Alfred Molina) lives in Ira Sachs’ new movie Love Is Strange that everything is completely changed by the absence of one another. Uncannily reminiscent of Leo McCarey’s depression era film Make Way for Tomorrow about an elderly couple forced to live apart by bankruptcy, Love Is Strange echoes that story in many ways but adds modern relevance by making the couple gay and the cause of their separation rooted in homophobic discrimination. At the cost of plausibility it lamentably shoots itself in the foot so that it can stay located in Manhattan but through virtue of the talent on hand it is still able to create piteous moments of longing for a hard won happily ever after that’s been unceremoniously cut short.

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Inside Out 2012: ‘Keep the Lights On’; a powder Blue Valentine

Keep the Lights On Directed by Ira Sachs Written by Ira Sachs and Mauricio Zacharias USA, 2012 Keep the Lights On tells the story of Erik Rothman (Thure Lindhardt), a gay Danish documentary filmmaker living in late 90’s New York City. While not filming, Erik likes to patron the city’s phone-sex lines, soliciting no-strings-attached one-night …

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