Kevin Corrigan

‘Cymbeline’ is an admirable Shakespeare adaptation, but far too convoluted

Cymbeline is director Michael Almereyda’s second Shakespeare adaptation set in modern day, his last being 2000’s Hamlet, also starring Ethan Hawke. The Bard’s late work tragedy, previously set in the Royal Court of Olde England, receives a face-lift, updated to a war between the Roman police force and the Briton Motorcycle Club ran by Cymbeline (Ed Harris). The King trades in a crown for an Uzi and a leather jacket as a drug kingpin troubled by familial strife. His second wife (the serpentine Mila Jovovich) despises Cymbeline’s daughter, Imogen (Dakota Johnson, proving she has acting chops that viewers may not find in Fifty Shades of Grey), for not marrying her son, Cloten (Anton Yelchin). In secret, Imogen has pledged herself to Posthumus (Penn Badgley), much to Cymbeline’s displeasure.

‘Life of Crime’ is a fun but lesser Elmore Leonard adaptation

Ordell Robbie (Yasiin Bey, formerly known as Mos Def) and Louis Gara (John Hawkes) get much more than they bargained for after kidnapping the wife of a corrupt real-estate developer (Tim Robbins). As it turns out, Frank Dawson has no intentions of paying the ransom for the well-being of his wife, Mickey (Jennifer Aniston). He had been seeking a way to leave his wife of many years for his mistress (Isla Fisher), and fortunately Ordell and Louis took care of the messiness of actually leaving Mickey for him by kidnapping her.

Scroll to Top