Every year fans from all over the world flock to Toronto to celebrate Fan Expo Canada. Held inside of the Metro Toronto Convention Centre, Fan Expo Canada is Canada’s largest (North America’s third largest) annual celebration of comics, sci-fi, fantasy, horror and video games.
Atom Egoyan’s The Captive pits Ryan Reynolds as a blue collar vigilante in an investigatory drama of pedophiles and police-work. However, while its central themes seem reminiscent of the recent Prisoners, its execution is regrettably drawn from cartoons, Lifetime schlock, and the worst traits of primetime detective shows. Following an increasing number of recent failings for the Canadian director, The Captive sets itself up for a return to the form of his heartfelt mid-90s melodrama The Sweet Hereafter, but thanks to the exacerbated direction and faux-camp spirit, it evokes hardly any reaction other than groans and pity-guffaws.
Fruitvale Station is a series of vignettes searching in vain for connective tissue. Its anchor is the excellent young actor Michael B. Jordan, and while he and the other performers in this dramatization of a harrowing recent tragedy are all solid, the final product is still a bit too scattered to make an impact, despite the moment-to-moment resonance.