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Week in Review: Darren Aronofsky could direct ‘The Good Nurse’

Though this year’s Noah turned a lot of heads and made more than a handful of viewers frustrated, be it for declining to use the word “God” or just including Rock Titan Angel things into a Biblical story, Darren Aronofsky still remains a highly valued director and ever rising auteur in Hollywood. Aronofsky is currently …

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‘The Two Faces of January’ is a slow-burner that tests your loyalties

Guilt is a powerful motivator. Its nagging voice can corrupt even the noblest of intentions. In the case of The Two Faces of January, a son’s guilt leads him into a questionable alliance in which he becomes inextricably trapped. There are twists and turns, jealousy and lust, but the real pleasure of a film like this is watching how far people will go to silence those nagging voices. Even if it means losing everything they care about.

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‘The Two Faces of January’ cannot sustain a sense of dread

Patricia Highsmith is one of those authors whose body of work the film industry just can’t stop panning for gold. The Two Faces of January is the latest adaptation of one of her books, and it ticks off most of the drinking game check marks we’ve come to expect from her stories: a vivid locale, desire that turns deadly, antagonists bound together by circumstance, numerous double-crosses, and a general mood of darkness in the soul. This is also the directorial debut of Hossein Amini, whose genre screenplays (Drive, Snow White and the Huntsman, 47 Ronin) have become a hot Hollywood commodity in recent years. With the help of a capable crew, Hossein has helmed a thoroughly capable film.

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‘The Two Faces of January’ an undercooked take on an overlooked Patricia Highsmith novel

The Two Faces Of January Written and directed by Hossein Amini USA and UK, 2014 Anyone acquainted with Roman theology or a pub quiz will know that January is a Anglicisation of the Roman god Janus, the two-faced figurine  who stands at the cusp of the new year, simultaneously musing backward at recent lessons and …

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SFIFF 2014: The Good, The Bad, and The Mediocre

Begin Again Formerly known as Can a Song Save Your Life?, writer-director John Carney’s latest film marks a return to the New York music scene in an uplifting tale of reinvention and rediscovery. Keira Knightley stars as Greta, an amateur singer-songwriter left heartbroken in the Big Apple after her douchebag musician boyfriend Dave (Adam Levine) …

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NYFF2011: DAY 3 ‘Melancholia’

Melancholia Directed by Lars Von Trier Written by Lars Von Trier 2011, Denmark Melancholia refers to a planet hidden behind the sun that is on a direct course for Earth, along with the crippling state of mentally ill Justine (Kirsten Dunst), whose case is so severe that she destroys her relationship with her groom during …

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