‘The Hateful Eight’ is Tarantino at his most indulgent, which can be good and bad
No one even remotely familiar with the director’s oeuvre will ever walk into the theatre expecting to get a blisteringly fast paced actioner that clicks along like it was nobody’s business. The beauty about Tarantino’s style is the very fact that he is, for lack of a better term, indulgent. His dialogue is often funny, sharp, extremely character-driven, referential, and controversial in the best way possible.