30. The Lovers on the Bridge (1991) Directed by: Leos …
Sherlock Holmes is a character so ingrained in our cultural imagination that it’s hard to think up any new spin on him. Sir Arthur Conan Doyle invented a character who became an archetype, even for procedural television, as the airwaves are still littered with brilliant assholes who owe their very existence to the original detective of 221B Baker Street.
“Most good stories start at the beginning,” intones a journalist during The Fifth Estate, a bold statement to make in a film that starts very near the end. The story of how WikiLeaks, and its enigmatic Australian founder Julian Assange, rose to worldwide prominence and notoriety over the last 5 years, is not without merit, but this adaptation fails to reach the same height of earned importance.
High concept is always a tricky beast. By its very nature, it always threatens to completely overshadow its own efforts and render the effort to capture the wonder of an emphatic hypothetical question rather academic. The query pondered by Peter Weir’s 1998 satire The Truman Show was one that any viewer can appreciate; ‘What if every moment of your life was being televised for the entertainment of the masses?’