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Twin Peaks, Ep. 2.02, “Coma”: The mystification of Laura Palmer

The dualities of Lynchian art are always interesting and always compelling in their simplicity. They reveal something, in their best moments, that is not typically talked about or openly acknowledged. Binaries are so easy to use, good versus evil, but when David Lynch manipulates them, he is uniquely capable of showing us the phoniness and feebleness of these structures.

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