Liam Neeson

‘Run All Night’ is an enjoyable jog through familiar territory

Middle-aged men with a particular skillset have found their patron saint in Liam Neeson. Luckily, a distinctive visual style and some added character detailing keep Run All Night running smoother than most of its sluggish brethren. There’s certainly nothing new here, but this slick little film dispenses its thrills and kills with surprising effectiveness.

‘A Walk Among the Tombstones’ is gravely misguided

There is a moment in the new thriller, A Walk Among the Tombstones, that you really feel things shifting into overdrive. The unstable elements in the film collide to raise expectations for the excitement to come. Unfortunately, that moment occurs about 90 minutes into the movie. The previous 90 minutes are consumed by Liam Neeson trying to solve a case we don’t care about while being distracted by a subplot we grow to despise. Predictable at every turn, this is a thrill-free zone that makes Non-Stop look like a masterpiece of suspense.


‘A Million Ways to Die in the West’ has its shortcomings, but is far from a disaster

Seth MacFarlane has a dirty mind. He tells dirty jokes in occasionally clever, often crude ways, and without remorse. With Family Guy, he exhibits the full extent of his talents in thirty-minute stints to great effect. On the big screen, however, he may need someone to wrangle him in. While Ted (2012) was incredibly entertaining, it occasionally found itself slowing to a crawl. MacFarlane’s latest, A Million Ways to Die in the West, finds itself suffering a similar fate. Though highly entertaining, the film runs too long, leaves many of its characters in the lurch, and doesn’t give nearly enough screen time to its talented roster of actors.

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