Richard Linklater’s Boyhood is an interesting exercise in whether or not artistic intent truly matters. The film is the story of a boy, his sister and his parents as they grow and meander through life over the course of twelve years. To watch it is to experience life unfolding before your eyes, while feeling the keen sensation that virtually nothing is happening.
When a filmmaker perfectly aligns the technical and the artistic, we’re reminded of the transformative power of cinema. Lost amid the genre clichés and computer-generated extravaganzas lies an expansive battlefield called ‘the human condition’, where moments of great power co-mingle with insignificant monotony to shape our lives.