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    Lucky Louie, Ep. 1.07, “Discipline”

    While the attempts to tackle the other subjects have tended to reek of misplaced white male intentions, C.K. uses his experience as a parent to deliver a clever and touching take on parent-child power dynamics in the age of contemporary parenting techniques. More

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    Lucky Louie, Ep. 1.06, “Flowers for Kim”

    Throughout Lucky Louie’s prior episodes, the show has struggled to toe the line between using a dated style to express contemporary ideas and genuinely espousing a retrograde attitude. Although some moments, like Rich’s misogynistic jokes, have at least had the awareness not to directly align the viewer with the sentiments being conveyed, others, like the racist caricature in “A Mugging Story,” have seemed flat-out backwards. More

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    How Louie Embraces its Medium Through Episodic and Elliptical Narrative

    The contemporary culture around TV viewership is one that favors binge-watching over moderate consumption. Whether you’re catching up on an older show or checking out the latest series from a streaming service, binge viewership has become thought of by many as the default mode (when possible) for enjoying TV. The verb form of the phrase (i.e. “to binge-watch”) was shortlisted for the 2013 Oxford Dictionaries Word of the Year. More

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    FX orders comedy by Louis C.K., Zach Galifianakis

    Louis C.K., who seems capable of doing just about anything these days, has just received a 10 episode order for a sitcom he is working on with Zach Galifiankis called Baskets. Deadline reports that Galifianakis will star in the show as a man wishing to pursue his dream of becoming a professional clown by finding […] More

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    Louie, Ep. 4.13-14, “Pamela Part 2” and “Pamela Part 3” cap a season-long look at communication

    Season four of Louie has been an unusual one, even compared to the other seasons of this unique show. After seasons of standalone shorts and only a couple multiple-episode arcs, Louis C.K. dove in head first with three large-scale stories, “Elevator” (parts one-six), “In The Woods”, and “Pamela” (parts one-three). While each is distinct, these three pieces all explore connection and communication, both verbal and nonverbal. “Elevator” sees Louie pursuing and enjoying a relationship with Amia, with whom he is unable to verbally communicate, but it also shows him becoming involved in the lives of his neighbors and confronting the lingering damage of his divorce, to himself as well as his ex-wife Janet and their daughters. Throughout “Elevator”, Louie assumes. He’s so wrapped up in his experience and his fears that he projects all of his onto the women in his life, reading his insecurities in their silence. He attempts to overcome communication barriers by speaking louder and more emphatically and in the process, doesn’t listen to what those around him are trying to say. More

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    Louie Ep. 4.09-10 “Elevator (Part 6)”/”Pamela (Part 1)” are equal parts beautiful and unsettling

    The end of one multi-part story and the beginning of another airing back-to-back unsurprisingly makes for a slightly jarring viewing experience in this week’s Louie episodes, one that pauses to reflect on a relationship ending, and another attempting to fill its place. And although its some of Louie’s messiest writing and film-making of the season, there’s a lot of fascinating material to contemplate in both episodes, from love and heartbreak, to Heaven and unwanted sexual advances.
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    Louie, Ep. 4.07-08, “Elevator Part 4” and “Elevator Part 5” examine isolation and perception

    “Elevator” continues its dreamlike examination of Louie’s psyche this week, with our increasingly insecure lead pushing his relationship with Amia to the next level and losing it in the process. Louie spends quite a bit of these two episodes validating his romance with Amia to other people in his life and as they voice their doubts, Louie grows more and more self-conscious. At the start of “Elevator Part 4”, Louie and Amia are out at a hockey game, having a great time; Louie practically glows when Janet asks about his new leading lady. It’s sweet and just like Janet, viewers will be happy to see our sad-sack protagonist in a positive place, emotionally. More

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