‘The Secret Life of Pets’ Trailer Hits Some Familiar Notes
When you really get right down to it, most if …
‘The Secret Life of Pets’ Trailer Hits Some Familiar Notes Read More »
When you really get right down to it, most if …
‘The Secret Life of Pets’ Trailer Hits Some Familiar Notes Read More »
Lucky Louie tackles some fairly dark subjects in its first season. Racism, misogyny, and homophobia are just a few topics the show uses as sources of humor (and for which I’ve called it out in this space for handling poorly). That being said, it’s at least had the decency to avoid rape, which it was hard to imagine the series being any more deft at handling.
If nothing else, “Control” makes for a very focused episode of Lucky Louie. In a series crammed full of B plots and skits which feel forced in only because Louis C.K. didn’t know where else to put them (i.e. the “Why” sketch from the cold open in “Pilot”), it’s refreshing to see an episode which clearly develops a single idea.
Throughout Louis C.K.’s career, although he often bears a strong resemblance to the characters he plays (I count his stand-up persona among these), he almost never seems to intend for the audience to wholly identify with them.
Whereas “Pilot” suffered for being too focused on the boorishness of Louie and his friends (even if it mocked their perspective), “Kim’s O” succeeds by making her unhappiness the episode’s focal point rather than depicting her as unfortunate (but comical) collateral damage.
Louis C.K.’s current series, Louie, is unlike anything on T.V. The show’s cinematic style, unpredictability, and difficulty to define make it a unique outlier in the T.V. landscape, even in a world with shows as idiosyncratic as Transparent and Girls.
A shaggy, loose season comes to an appropriately low-key, ramshackle conclusion.
Throughout this Louis golden age, SNL has been an integral part creative space, because the show is practically the only place where he is able to satisfy his sketch comedy itch, whether that be a shoemaker who is doing all he can to resist dominating his worker elves or a Lumberjack with a Glory tear because people no longer by wood products. Louis’ energy permeates SNL whenever he hosts the show, giving the writers and performers implicit permission to go all out resulting in the hands down best episode, soup to nuts, of the season. And there is no better way for the show to end its 40th season than with a real barn-burner of an episode.
An episode that might reasonably be defined as “cute” finds room for hints of darkness and pathos on the periphery.
Real comedy still happens on late night, we can prove …
A less-than-satisfying episode gives itself over completely to the show’s surreal side.
A delightfully thorny episode probes gender roles, sexual intimacy, and what lies beyond emasculation.
A familiar but engaging episode features a perfectly-cast Michael Rapaport as an overbearing, insecure cop from Louie’s past.
Louie’s fifth season stumbles out of the gate with a been-there, done-that premiere.
Louie returns Thursday for a fifth season of life lessons and awkward experiences. The loosely structured yet acclaimed FX comedy, given free reign by the network, comes back true to form while still finding the ability to surprise its audience anew. After a Season Four filled with some mini-arcs that missed the mark Season Five returns to the episode model of earlier years, deploying episodes and through lines in a seemingly random order that still finds a way to make perfect sense. The show doesn’t go as far as completely abandoning the abbreviated story arcs CK has come to rely on, but after a stretch of almost looking like a more traditional half hour cringe comedy Louie is back to its old ways.
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