M. Night Shyamalan’s ‘The Visit’ just made surprisingly good money for a small, independent opening. Could he be on the rise as a player again?
M. Night Shyamalan
Ever since Wayward Pines was announced as an M. Night Shyamalan project, the threat of the twist ending is one that’s hung over the entire series. For better or worse, Shyamalan’s name is associated with stories that try to come out of left field in the apex of the third act and surprise you with the idea that nothing you’ve witnessed is what it seems, ends that enjoy their trickiness so much it keeps them blind to the fact that they don’t bear up under scrutiny. And given the early ads for the show, which were heavy on that symbolism—as well as too heavy on imagery and quotes that invited unflattering Twin Peaks comparisons—it was hard to dissuade yourself of that expectation going in.
A crash landing leaves teenager Kitai Raige (Jaden Smith) and his legendary father Cypher (Will Smith) stranded on Earth, 1,000 years after cataclysmic events forced humanity’s escape. With Cypher critically injured, Kitai must embark on a perilous journey to signal for help, facing uncharted terrain, evolved animal species that now rule the planet, and an unstoppable alien creature that escaped during the crash. Father and son must learn to work together and trust one another if they want any chance of returning home.