More stories

  • screenshot from Bad Boys

    New Projects: Joe Carnahan circles ‘Bad Boys 3’

    Unless you’re talking about Paul Feig’s Ghostbusters or Toy Story 3, it’s usually not a good sign to hear of a sequel to a long retired franchise, least of all from a new, upstart director (just ask Jurassic World). This week however a director started a project that might even be an improvement on the […] More

  • in

    SOS This Week #8: Remakes, Reboots, and Rehashes

    It seems like just about every movie coming out nowadays is either a reboot or remake of a classic film. With a slate of summer movies that includes this week’s Mad Max: Fury Road, Jurassic World, Terminator Genisys, and Star Wars: The Force Awakens, it seems every more likely that Hollywood won’t stop digging into […] More

  • in

    The Hype Cycle – Anyone’s Race

    This column is a few days late this week, but then this was a particularly busy few days. The first three of the actual awards precursors finally arrived this week, including the New York Film Critics Circle, the National Board of Review and the Gotham Independent Film Awards. What’s the verdict? This is still anyone’s […] More

  • in

    NYFF 2014: Working Lass – ‘Two Days, One Night’

    The end of Sandra’s (Marion Cotillard) journey does not matter, it is the journey that does. And though that sounds entirely conventional, even cliché, it might be the brilliance of Belgian auteurs Luc and Jean-Pierre Dardenne; their ability to get away with plot points that would seem at home in the most Hollywood, middlebrow fare comes off as resonant, enthralling, and emotionally realistic. Thus, in Two Days, One Night, the Dardennes prove their relevancy and potency as directors once again. More

  • in

    TIFF 2014: ‘Two Days, One Night’ another humanizing powerhouse from the Dardennes

    Sandra (Marion Cotillard) spends the majority of Two Days, One Night knocking on the doors of her co-workers and modestly pleading with them to decline a significant pay bonus so that she can save her job and her family. Some are instantly receptive to her request while others blow her off and even resort to violence. It’s an episodic structure that is executed with measured precision and tension from master Belgian auteurs and critical darlings Jean-Pierre and Luc Dardenne (The Kid with a Bike, L’Enfant). Acting as the antithesis of the hardworking, stubborn, and desperate titular character from the directing duo’s immaculate Rosetta (1999), Sandra’s glowing and unwavering empathy towards those who stand in opposition to her is the crux of her character and the streamlined grace that runs through this humbled marvel of a film. More

  • in

    ‘The Immigrant’ is a polished period piece with the vintage knack for the melodramatic

    The Immigrant Written by Richard Menello and James Gray Directed by James Gray USA, 2014 Coming to America in the early 1920’s was supposed to signify a new start and generate fresh cultural experiences for Polish sisters Ewa Cybulski (Oscar-winner Marion Cotillard, “La Vie en Rose”) and Magda (Angela Sarafyan) in co-writer/director James Gray’s elegant, […] More

Load More
Congratulations. You've reached the end of the internet.