Marion Cotillard

“It’s Only the End of the World”: The Dolan Charm is There but Verbose Family Drama Underdelivers

‘Macbeth’ demands to be seen

New on Video: ‘Two Days, One Night’

New Projects: Joe Carnahan circles ‘Bad Boys 3’

Xavier Dolan lines up Marion Cotillard, Lea Seydoux for his next film

The Hype Cycle – Anyone’s Race

CIFF Day 3: ‘Human Capital’ and ‘Two Days, One Night’

NYFF 2014: Working Lass – ‘Two Days, One Night’

‘Two Days, One Night’ Movie Review – another humanizing powerhouse from the Dardennes

‘The Immigrant’ is a polished period piece with the vintage knack for the melodramatic

Six Female Lead Choices Who Would’ve Made ‘Gravity’ a Better Film

‘Contagion’ is a chilly examination of the dangers of connection

NYFF 2013: ‘The Immigrant’ has great melodrama, superb acting, but plays way too safe

NYFF 2013 Dispatch: ‘The Secret Life of Walter Mitty’; ‘The Immigrant’; ‘Bastards’; ‘Gloria’

BAFTAs 2013: Who is going to win? – part 2

More Equal Than Others: Six Films of 2012 Done Better

‘The Dark Knight Rises’ is entertaining, compelling, intense, and incredibly ambitious

‘Innocence’: An Education In Gender Norms

Possible Love Interest & First Photo from “The Dark Knight Rises”

Public Enemies