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Marion Cotillard
“It’s Only the End of the World”: The Dolan Charm is There but Verbose Family Drama Underdelivers
‘Macbeth’ demands to be seen
New on Video: ‘Two Days, One Night’
New Projects: Joe Carnahan circles ‘Bad Boys 3’
Xavier Dolan lines up Marion Cotillard, Lea Seydoux for his next film
The Hype Cycle – Anyone’s Race
CIFF Day 3: ‘Human Capital’ and ‘Two Days, One Night’
NYFF 2014: Working Lass – ‘Two Days, One Night’
‘Two Days, One Night’ Movie Review – another humanizing powerhouse from the Dardennes
‘The Immigrant’ is a polished period piece with the vintage knack for the melodramatic
Six Female Lead Choices Who Would’ve Made ‘Gravity’ a Better Film
‘Contagion’ is a chilly examination of the dangers of connection
NYFF 2013: ‘The Immigrant’ has great melodrama, superb acting, but plays way too safe
NYFF 2013 Dispatch: ‘The Secret Life of Walter Mitty’; ‘The Immigrant’; ‘Bastards’; ‘Gloria’
BAFTAs 2013: Who is going to win? – part 2
More Equal Than Others: Six Films of 2012 Done Better
‘The Dark Knight Rises’ is entertaining, compelling, intense, and incredibly ambitious
‘Innocence’: An Education In Gender Norms
Possible Love Interest & First Photo from “The Dark Knight Rises”
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