Marvel Comics

Enter the “Cho”sen One in ‘Totally Awesome Hulk’ #1

Marvel Comics to Release Book of Hip Hop Infused Variant Covers.

‘Daredevil’ #1 sets up a new status quo in art and story

‘Darth Vader’ #13 Makes Smart Use of Its Supporting Cast

Why Jessica Jones and Luke Cage Should Be in ‘Captain America: Civil War’

Darth Vader Does Cool Stuff in ‘Vader Down’ #1

‘Star Wars’ #12 is A Fist-Pumping, Lightsaber-Wielding Good Time

Cap-Wolf Cometh in ‘Sam Wilson: Captain America’ #3

Hearts Break and Heroes Sell Out in ‘Ms. Marvel’ #1

‘Uncanny Inhumans’ #2 – Inhuman Methods

‘Secret Wars’ #7: Prophets of Rage

‘Extraordinary X-Men’ #1 is Grimdark and Reductive

‘Star Wars’ #11 Picks Up The Pace, Dials Up The Action

‘Invincible Iron Man’ #3 focuses on friendship

Progressivism is on the Rise in Superhero Comics

‘Sam Wilson: Captain America’ #2- Flight Aftermath

‘Unbeatable Squirrel Girl’ #1 has awkward parents, killer robots, and fun galore

Invincible Iron Man #2- Good Cop, Doom Cop

‘Uncanny Inhumans’ #1- (In)humane Loyalty

‘Alias’ #1- Sex, Realism, and Video Taping

‘Guardians of the Galaxy’ #1 is worth skipping

NYCC 2015: Interview with ‘WicDiv’ Colorist Matthew Wilson

‘Captain America’ #1 shows what makes Sam Wilson fly