Black Widow is off to a blisteringly great start that is simple but highly effective. More comics should take notes from the team of Samnee, Waid, Wilson and Caramagna to focus on utilizing each member of the creative team to make for a truly fun and exhilarating read that couldn’t possibly turn people away from picking up the next issue.
Paper Girls #3 opens with genre-subverting humor but then pours on the suspense and action. Brian K. Vaughan adds a race against the clock to the other odd time-oriented elements, prompting hand-wringing anxiety while also building in absurd, often hilarious, references to 1988 in weird and apt juxtapositions. Cliff Chiang and Matt Wilson continue to provide brilliantly nuanced and multi-layered visuals for Vaughan’s unique mix of the strange and the mundane.
Paper Girls #2 picks up immediately after the close of issue #1. One of our mummy-ninja mystery men is making a mad dash with his bag of stolen devices. The issue then goes on to offer deepening characters and relationships, developing themes, and more than a few surprises. Brian K. Vaughan and Cliff Chiang maintain the excitement, intrigue, and childhood nostalgia established in the opening issue while giving their readers much more to munch on.
Nov. 1, 1988. “Hell morning” for four 12-year-old paper girls. Teaming up to minimize the abuse they might take from lingering drunk partiers, Erin, Mac, Tiffany, and KJ run into a completely unexpected adversary, and they’re clearly not locals. Image marketing calls it Stand by Me meets War of the Worlds. Vaughan brings his characteristic mix of the mundanely familiar and the fantastical to the storytelling, while Chiang amplifies the realism through his attention to detail, and Wilson color contrasts early morning blues with neon pink and yellow to evoke the late 80’s era and highlight emotional peaks. And in short, the collaboration is a-MAZE-ing.