The Good Wife is a show that exists constantly with about a dozen different balls in the air, seemingly figuring out midstream which will work and which are better discarded. The show’s fifth season is among its best in part because it quickly figured out which stories to discard (Marilyn and her baby, Damian and his crime ties, etc.) and because it started to more regularly work that juggling into Alicia’s life, as she struggled to keep control of work, her personal life, and all of the political machinations she gets caught up in. She never lost control, because Alicia Florrick never loses control, but season five danced her closer to the edge than ever before. And in the process, she learned to like, at least a little bit, the idea of letting go. More than that, though, she liked feeling like she was finally, at least a little bit, in control.