Son of Saul

BFI London Film Festival 2015 – ‘Son Of Saul’

Auschwitz, Autumn, 1944. Saul Ausländer (Géza Röhrig) is a Hungarian-Jewish prisoner and member of the Sonderkommando, one of the cursed work gangs selected by the Nazi genocide machine to assist in the industrial slaughter of undesirables and perceived enemies of their genocidal regime.

LFF 2015: ‘Evolution’ is as mysterious as it is beautiful and a masterclass in tone and restraint

It is difficult to discuss Evolution without giving away a lot of its surprises. Needless-to-say, Lucile Hadzihalilovic’s masterful film (only her second in a decade) is disturbing, beautiful and restrained. Mysterious from beginning to end, the film challenges and intrigues, reaching down inside to grab hold of something within us all that is ancient and primordial, engaging on a level that exists within not only a collective imagination but our collective biology

LFF 2015: ‘The Club’ finds moments of grace and meaning amongst the sinful and depraved

Director Pablo Larraín is known for his extremely fascinating social commentaries about his native Chile. Most famously, he tackled the Pinochet regime and its legacy with his trilogy comprising Tony Manero, Post-Mortem­ and ­No. With The Club, Larraín looks at Catholicism, another major Chilean institution, and the abuses of power that can occur within the priesthood.

LFF 2015: ‘Bone Tomahawk’ is a character-driven Western with a horror spin that engages despite its languid pace

To describe Bone Tomahawk as a “horror-Western” is good shorthand, but could be a little misleading. The film indeed has horror elements but novelist turned screenwriter/director S. Craig Zahler seems more interested in spending time with his four main protagonists as they travel across country, letting their different personalities and world views, and the harshness of the terrain, challenge them on their journey

Scroll to Top