music

For better and for worse, the music of ‘Star Wars’ dominates its middle chapters

John Williams defined a musical template with ‘Star Wars’ — and then redefined it in ‘The Phantom Menace’

Down to its score, ‘Halloween III’ is a rejection of the Michael Myers mythos

The music of ‘Bram Stoker’s Dracula’ makes for a gorgeous exploitation of the senses

‘Der Nachtmahr’ Movie Review – a shifty, unsettling debut feature

With Christopher Young’s fairy tale score, ‘Hellraiser’ withstands its otherwise dated qualities

THX 1138 – Asian Dub Foundation Soundtrack 2015 UK Tour

‘Kurt Cobain: Montage of Heck’ avoids a literary reading of Cobain’s life

‘Backstreet Boys: Show em’ What You’re Made of’ is dark portrait of music industry

Comics as Music in The Wicked + the Divine

‘AudioSurf’ builds a unique musical ride

SDCC 2013: Composers Discuss the Music Behind Your Favorite TV Shows

It’s Culture, Bugs: 10 Great Animated Musical Shorts

Iconography in Scoring: The Music of the Western

Treme, Ep. 3.01-2: Fantastic, underseen series continues to inspire

‘Searching for Sugar Man’ is an enjoyable portrait of an unsung artist; just don’t go Googling beforehand

10 Memorable TV Scores

5 Memorable Film Scores of the 00s

Tortured Overtures: Horror Film Score Themes of the 1970s

Where The Wild Things Are Original Motion Picture Soundtrack: Original Songs By Karen O And The Kids

William Shakespeare’s Romeo + Juliet: Music from the Motion Picture

Scores from Outer Space

Sweet Sadism: Angelo Badalamenti’s Score for Blue Velvet