New York Film Festival 2014

NYFF 2014: Kyle’s 5 Favorite Films and Other Ephemera

NYFF 2014: ‘Saint Laurent’ is an exhausting yet atypical look at the fashion icon

NYFF 2014: Grandeur Delusions – ‘Birdman’

NYFF 2014: ‘Inherent Vice’ suffers only against Paul Thomas Anderson’s past work

NYFF 2014: Brush Life – ‘Mr. Turner’

NYFF 2014: ‘Inherent Vice’ a narcotic vision that demands multiple viewings

NYFF 2014: ‘Mr. Turner’ a visually sleek and emotionally gruff reflection on an artist’s life

NYFF 2014: ‘Iris’ – The Meh-est Costume for Today

NYFF 2014: Hello, “Goodbye” – Jean-Luc Godard’s ‘Goodbye to Language’

NYFF 2014: ‘Gone Girl’ is a powerhouse thriller that loses steam by its end

NYFF 2014: ‘Whiplash’ phenomenally explores the line between perfection and sociopathy

NYFF 2014: ‘Saint Laurent’ is gorgeous but light

NYFF 2014: Mathieu Amalric has a dark heart in ‘The Blue Room’

NYFF 2014: ‘While We’re Young’ – The Young and the Old and the Restless

NYFF 2014: ‘Whiplash’ makes music thrilling like no other film

NYFF 2014: ‘Gone Girl’ – Death Scenes from a Marriage

NYFF 2014: Don’t look the gifted ‘Horse Money’ in the mouth

NYFF 2014: Working Lass – ‘Two Days, One Night’

NYFF 2014: Life Upon the Wicked Stage – ‘Life of Riley’

NYFF 2014: Mia Hansen-Løve’s ‘Eden’ – Just Say Techno

NYFF 2014: ‘Seymour: An Introduction’ offers a fleeting, intimate look at a beloved teacher

NYFF 2014: Artistic Differences – ‘Pasolini’

NYFF 2014: Joshua Oppenheimer’s ‘The Look of Silence’ is a quietly devastating achievement