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New York Film Festival
NYFF 15: ‘De Palma’ is a masterclass on the film industry from a prolific director
NYFF ’15: “Carol” is about the look of love
NYFF ’15: “Maggie’s Plan” is a derivative mess
NYFF ’15: ‘The Lobster’ locates emotional truth in absurdity
‘The Walk’ Movie Review – falls short of the clouds
NYFF 2014: Kyle’s 5 Favorite Films and Other Ephemera
NYFF 2014: ‘Saint Laurent’ is an exhausting yet atypical look at the fashion icon
NYFF 2014: Grandeur Delusions – ‘Birdman’
NYFF 2014: ‘Inherent Vice’ suffers only against Paul Thomas Anderson’s past work
NYFF 2014: Brush Life – ‘Mr. Turner’
NYFF 2014: ‘Inherent Vice’ a narcotic vision that demands multiple viewings
NYFF 2014: ‘Mr. Turner’ a visually sleek and emotionally gruff reflection on an artist’s life
NYFF 2014: ‘Iris’ – The Meh-est Costume for Today
NYFF 2014: Hello, “Goodbye” – Jean-Luc Godard’s ‘Goodbye to Language’
NYFF 2014: ‘Gone Girl’ is a powerhouse thriller that loses steam by its end
NYFF 2014: ‘Whiplash’ phenomenally explores the line between perfection and sociopathy
NYFF 2014: ‘Saint Laurent’ is gorgeous but light
NYFF 2014: Mathieu Amalric has a dark heart in ‘The Blue Room’
NYFF 2014: ‘While We’re Young’ – The Young and the Old and the Restless
NYFF 2014: ‘Whiplash’ makes music thrilling like no other film
NYFF 2014: ‘Gone Girl’ – Death Scenes from a Marriage
NYFF 2014: Don’t look the gifted ‘Horse Money’ in the mouth
NYFF 2014: Working Lass – ‘Two Days, One Night’
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