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    Lucky Louie, Ep. 1.09, “Drinking”

    Welcome to the latest in the series of weekly complaints about offensive jokes in Louis C.K.’s oeuvre, or as Sound on Sight calls them, reviews of the first and only season of Lucky Louie. In all seriousness, just when it seems like the show’s humor can’t get any more tasteless, it finds subjects now (ten years after Lucky Louie premiered, but still) universally considered to be taboo to mock. More

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    Lucky Louie, Ep. 1.07, “Discipline”

    While the attempts to tackle the other subjects have tended to reek of misplaced white male intentions, C.K. uses his experience as a parent to deliver a clever and touching take on parent-child power dynamics in the age of contemporary parenting techniques. More

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    Lucky Louie, Ep. 1.06, “Flowers for Kim”

    Throughout Lucky Louie’s prior episodes, the show has struggled to toe the line between using a dated style to express contemporary ideas and genuinely espousing a retrograde attitude. Although some moments, like Rich’s misogynistic jokes, have at least had the awareness not to directly align the viewer with the sentiments being conveyed, others, like the racist caricature in “A Mugging Story,” have seemed flat-out backwards. More

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    How Louie Embraces its Medium Through Episodic and Elliptical Narrative

    The contemporary culture around TV viewership is one that favors binge-watching over moderate consumption. Whether you’re catching up on an older show or checking out the latest series from a streaming service, binge viewership has become thought of by many as the default mode (when possible) for enjoying TV. The verb form of the phrase (i.e. “to binge-watch”) was shortlisted for the 2013 Oxford Dictionaries Word of the Year. More

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    Louie, Ep. 4.13-14, “Pamela Part 2” and “Pamela Part 3” cap a season-long look at communication

    Season four of Louie has been an unusual one, even compared to the other seasons of this unique show. After seasons of standalone shorts and only a couple multiple-episode arcs, Louis C.K. dove in head first with three large-scale stories, “Elevator” (parts one-six), “In The Woods”, and “Pamela” (parts one-three). While each is distinct, these three pieces all explore connection and communication, both verbal and nonverbal. “Elevator” sees Louie pursuing and enjoying a relationship with Amia, with whom he is unable to verbally communicate, but it also shows him becoming involved in the lives of his neighbors and confronting the lingering damage of his divorce, to himself as well as his ex-wife Janet and their daughters. Throughout “Elevator”, Louie assumes. He’s so wrapped up in his experience and his fears that he projects all of his onto the women in his life, reading his insecurities in their silence. He attempts to overcome communication barriers by speaking louder and more emphatically and in the process, doesn’t listen to what those around him are trying to say. More