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Paul Giamatti

‘Straight Outta Compton’ overcomes flaws with a provocative beat

‘Straight Outta Compton’ overcomes flaws with a provocative beat

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SFIFF58: Week 2 in Review

SFIFF58: Week 2 in Review

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New Projects: ‘Star Wars’, Kathryn Bigelow, and The Blob

New Projects: ‘Star Wars’, Kathryn Bigelow, and The Blob

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‘The Amazing Spider-Man 2’ too overloaded with new characters to rise above mediocrity

‘The Amazing Spider-Man 2’ too overloaded with new characters to rise above mediocrity

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Downton Abbey 4.08 concludes with an even-keeled finale

Downton Abbey 4.08 concludes with an even-keeled finale

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’12 Years a Slave’ Movie Review – Can’t match the intensity of McQueen’s first two features

’12 Years a Slave’ Movie Review – Can’t match the intensity of McQueen’s first two features

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‘Turbo’ an unmemorable rehash of Pixar films like ‘Ratatouille’

‘Turbo’ an unmemorable rehash of Pixar films like ‘Ratatouille’

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Too much of ‘Cosmopolis’ feels like lifeless posturing

Too much of ‘Cosmopolis’ feels like lifeless posturing

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‘Rock of Ages’ is a seemingly never-ending chore to sit through

‘Rock of Ages’ is a seemingly never-ending chore to sit through

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Cosmopolis_1_121226_360

‘Cosmopolis’ aims to challenge but may alienate in the process

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‘Incendies’ and ‘Barney’s Version’ Clean Out the 31st Genie Awards

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The Last Station

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Failure to launch: a decade of losers and fakers

Failure to launch: a decade of losers and fakers

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