In Anton Corbijn’s foreign espionage thriller A Most Wanted Man, the late Philip Seymour Hoffman lends his take on an unconventional looking German intelligence agent, one without the usual dashing attributes associated with cinematic spies. Although sprinkled with cerebral-minded intrigue and conducting its atmospheric tension in methodical fashion, A Most Wanted Man feels relentlessly sluggish in its execution to live up to its labored political-coated drama. This low-energy, plodding spy showcase has its isolated highlights in sleek suspense, but fails to drive home any genuine revelations about its touchy subject matter regarding counter-intelligence suspicion and terrorist paranoia. Despite solid and committed performances, it’s a slow burn of a thriller that simply lingers without fortifying any convincing punch.
Philip Seymour Hoffman
The splitting of the conclusions of recent fantasy or sci-fi franchises into two parts (or more – looking at you, Peter Jackson) has been financially successful for Hollywood studios, but less so creatively. Only arguable trendsetter Harry Potter and the Deathly Hallows: Part I proved a satisfying film in its own right by being so rich in character interplay and having an actual sense of progression. Mockingjay – Part I is heavy on character beats, but they are repetitive ones due to its limited scope through withholding all the big stuff until Part 2.
What is sure to be one of the year’s biggest films, Francis Lawrence’s The Hunger Games: Mockingjay – Part I, has its first trailer. Luckily this film appears to be doing something other than having a second half of the film be another round of the Hunger Games, as Katniss (Jennifer Lawrence) becomes the face of a rebellion against Donald Sutherland’s President Snow.
Throughout the beginning of Anton Corbijn’s A Most Wanted Man, it is hard to ignore that there are only a handful of upcoming performances left from Philip Seymour Hoffman in this world. The actor’s untimely death earlier this year left a hole in the world of cinema, one that will not be filled anytime soon. Hoffman was a character actor who managed to become an A-lister, without ever losing his chameleon-like ability to channel whatever or whomever he wanted.
Russell Brand: Philip Seymour Hoffman is another victim of …