Remake

‘Resident Evil: HD Remaster’ marks the creeping return of yesterdays nightmares

When Resident Evil originally hit the shelves in 1996, the term “survival-horror” was born. Though there were other darkly-themed experiences, such as Clock Tower, Resident Evil became known as the ultimate horror-gaming experience, with elements missing from the competition such as complicated puzzles, mysterious conspiracies, and most importantly, some genuine scares.

‘Annie’: It’s the hard knock life for a remake

There were two distinct reactions coming from the news releases about the Annie remake. There was a collective groan from the cynics who like to complain about how Hollywood has no fresh ideas, and there was also a lot of excitement from social justice communities about a black Annie. Which side won out with the final product? That really depends on how charming you find Quvenzhané Wallis as the title character – as for me, I was sold and think it’s one of the best musicals of the past ten years.

Town-That-Dreaded-Sundown

Fantastic Fest 2014: ‘The Town That Dreaded Sundown’ is a dreadfully uninspired slasher film

The Cabin in the Woods was the final frontier for slasher films… or at least it should have been. Drew Goddard and Joss Whedon’s 2011 horror-comedy took all of the subgenre’s tropes and turned them on their head. It acknowledged every character stereotype and rejected each one. The slasher film received a complete deconstruction, and now it may be best to simply pack it away. Sadly, The Town That Dreaded Sundown heralds an uninspired return to form. It just may be the blandest movie to feature violent homicide and ruthless killers.

‘We Are What We Are’ is one of the best horror remakes

Jim Mickle’s previous film Stake Land, a post-apocalyptic road movie with a vampiric threat, combined the tone of something like The Road with narrative flourishes (invincible hunter known only as Mister, vampires launched from helicopters like dropping bombs) more akin to comic books.

‘Evil Dead’ remake a nasty, bloody yet entertaining affair

Addiction is a fierce beast, a monster that takes many shapes and can consume people whole, at least if you look at it a certain way. It’s not a very subtle analogy, but one at the heart of the grim new film Evil Dead, based in no small part on the seminal horror film from the early 1980s that vaulted Sam Raimi into mainstream fame.

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