richard jenkins

LFF 2015: ‘Bone Tomahawk’ is a character-driven Western with a horror spin that engages despite its languid pace

To describe Bone Tomahawk as a “horror-Western” is good shorthand, but could be a little misleading. The film indeed has horror elements but novelist turned screenwriter/director S. Craig Zahler seems more interested in spending time with his four main protagonists as they travel across country, letting their different personalities and world views, and the harshness of the terrain, challenge them on their journey

ACOD

‘A.C.O.D.’ a scattered dramedy with an overqualified ensemble

It’s not a particularly good sign that the end credits for A.C.O.D. are more revealing and poignant than the film preceding them. As the credits roll on one half of the screen, a montage of (presumably) the film’s crew members plays on the other half, as they identify as being either Adult Children of Divorce (hence the titular acronym) or not, defining when or if their parents split up, how, and why.

Six Feet Under

Greatest TV Pilots: Six Feet Under

There’s a moment in the pilot episode of Six Feet Under which perfectly captures the tone of the show. On his way to pick up his son from the airport, Nathaniel Fisher ends a phone call to his wife Ruth by promising he’ll give up smoking. He stubs out his cigarette. Then he smiles a little private smile to himself and flips another smoke into his mouth. It’s only when he bends to light it, that the bus bearing down on him at the intersection is revealed.

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