Ridley Scott

New on Video: ‘Woman in the Moon’

Adapt, Improvise, Evolve: The evolutionary terror of Ridley Scott’s ‘Alien’

‘The Martian’ thrills with human ingenuity instead of mindless action

‘The Martian’ Movie Review – It’s sci-fi at its finest

‘Blade Runner 2’ a go with Harrison Ford confirmed, Denis Villenueve to direct

‘Exodus: Gods and Kings’ needs more divine inspiration

The Definitive Scary Scenes from Non-Horror Films: 40-31

Week in Review: ‘No Jokes’ in DC movies

Understanding Plot Holes – Misdiagnosis & Bad Lexicon

The Definitive Kubrickian Films: 10-1

A Look Back At The Most Famous Super Bowl Commercial ‘1984’ by Ridley Scott

Alien 3: Assembly Cut redeems a dark and unforgetable nightmare

‘The Counselor’ a Cormac McCarthy tale of venality and death through and through, save one bit of miscasting

Greatest Sci-fi Horror Films

New Giclee Prints Inspired By ‘Blade Runner’ and ‘Pyscho,’ from Marko Manev x Bottleneck Gallery

‘Prometheus’ & The Death of a Masterpiece

‘Kingdom of Heaven: The Director’s Cut’ epic filmmaking at its finest

Argo and the Search for Historical Authenticity

More Equal Than Others: Six Films of 2012 Done Better

‘Grabbers’ Movie Review – a slight and impermanent genre affair

Director’s Cut – 3 Essential Recuts (And 3 Worthless Ones)

Tony Scott – Love ‘im or hate ‘im, it’ll be a long time before anyone forgets him

Retro Cinema Classics: ‘Alien’ (Ridley Scott, 1979)