More stories

  • in

    Neo-Noiriste: John Dahl

    By the time John Dahl had directed his third feature – 1994’s  The Last Seduction – critics had anointed him as a contemporary torch bearer – perhaps the lone, consistent one – of the film noir ethos.  Even today, with his filmography having grown to include the less noir-ish thrillers Unforgettable (1996) and Joy Ride (2001), […] More